JasonDíSpeech
Well-Known Member
DiMansion Outside Entry - EJ is yelling at Rolf over the phone about the DNA results when Sloan calls him to remind him how Eric and Nicole are trueloves who will dump them if they know they spawned Jude. Holly and Nicole come out. Holly is going to the Bistro. (EJ mentions Sydney and Susan.) She's not afraid of the Bistro.
Bistro - Tate and Jeannie T are having a Mother's Day meal. Kim never gave up on Jeannie T, and Jeannie T hasn't and won't give up on Tate.
Graveyard - Thomas leaves gifts for Abigail on her grave. Charlotte is too young.
Square, Horton Plaque - Julie leaves flowers and talks to Gran about rebuilding the house and opening the time capsule. She knows Addie is with them. Paulina comes upon them and wishes her a happy Mother's Day. Paulina feels like a bad mother. Everyone admires Paulina.
DiMansion Living Room - Johnny has a call with his mother. She's eating in a cave restaurant with Sydney (in Amalfi, Italy) because Johnny sent Sydney the money. He does not deliver any news to her. Chanel enters, she has cancelled her lunch with her mom. She can't take Paulina right now because she's still mad at her. Johnny doesn't need an explanation because he enjoys being on another continent from his mother. Chanel is glad she doesn't know about the pregnancy. She will call Paulina.
Square - Julie and Paulina are talking about Jules. Chanel calls to cancel. She's staying in bed. Julie offers comfort.
Petersen-Brady Apartment - Sloan comes in with Jude. Eric has made a Mother's Day meal for her. He's wearing shorts and an apron. Later, they're eating breakfast. Sloan asks about his job, which he likes except for Leo. He agrees to let it go for Sloan for Mother's Day, then gives her a necklace with Jude's birthstone.
Bistro - Tate and Jeannie T are seated when Holly, EJ, and Nicole enter. Both moms think their kid picked this place on purpose. (They are seated at separate tables.) Tate denies, so does Holly. EJ made the reservations. There aren't many restaurants in Salem (stated by Jeannie T.). At the Donovan-Black table, they discuss jobs. At the Walker-DiMera-Jonas table, they pick their food and toast to mothers.
DiMansion Living Room - Chanel weeps about how their lives might change with this potentially irradiated child and it might wreck their nascent marriage. Johnny vows nothing will change for them.
Bistro, Black-Donovan Table - Jeannie T was dating an old guy during prom, her parents yelled at her, she didn't go to the prom. She wants to go tux shopping but Tate doesn't know what color Sophia's dress is. She asks questions about Sophia which the writers refuse to answer. Jeannie is glad, but Tate is salty he couldn't go with Holly. Later, they talk about Alex.
Bistro, Walker-Jonas-DiMera Table - The family talks about Nicole's exciting and groundbreaking work at the Spectator as well as EJ's fantastic jobs. Nicole wants a fun weekend away when they get a chance, Holly wants to wait until after prom. Nicole says no prom, no way. She knows Holly wants to go with Tate, but Holly is going with Aaron Greene. They start to quarrel, EJ tries to calm them down, so they can leave and continue the fight at home. Holly tells Nicole off, stomps out while screeching with Nicole in pursuit. At the other table, Jeannie T calls Holly a drama queen.
Pub - Thomas and Chad are playing tic-tac-toe. Julie arrives for their scheduled brunch. (Charlotte is at a princess brunch, no word on with whom.) They talk about their talks with the dead, the reconstruction, and how much they miss "their" home. Thomas gives "Aunt" Julie a decoration he and Charlotte made for "her" new house. She's proud to be his "auntie". Charlotte goes back to hang out with "Uncle" Roman. News flash: Chad misses Abigail. Julie misses David, is lucky for her "grandchildren" (wow we almost remembered Scotty exists).
DiMansion Living Room - Johnny is comforting Chanel when Paulina bursts in (she went past Harold). She is here to comfort her daughter at top volume. Johnny thanks her, tries to shoo her out. Chanel needs her, Paulina blasts. Chanel says no way, recaps the snow terror, and how Paulina is trying to turn this into her own tragedy. She and Johnny need space, Chanel hopes Paulina can respect that. She leaves, Chanel is sad. Chanel worries that Paulina was hurt, Johnny tries to comfort her. More consternation about the pregnancy.
Square - Eric and Sloan are smooching by a stroller after a nice morning when Nicole and Holly blow by like a hurricane. Holly calls her the worst mom on the planet. Eric steps in to play mediator as Holly uses sailor talk. He reminds Holly she almost died. Holly refers to her near-death experience as "one mistake" rather than recognizing the series of events that led to it.
Private Area - Paulina deafens the heavens as she hopes things are going to be all right for her baby.
Square - Eric tries to bring up his terror sister, Sami, as a teen; Holly refers to it as the "Stone Age" because she's a reasonable and relatable youth. Meanwhile Sloan and Nicole discuss Holly's turmoil and the death of Nicole's baby. EJ has entered the Square, gets confirmation (boo) that Jude was hatched by Eric and Nicole during their drug-induced stupor. He expresses sorrow verbally as he glares toward Nicole. END
Bistro - Tate and Jeannie T are having a Mother's Day meal. Kim never gave up on Jeannie T, and Jeannie T hasn't and won't give up on Tate.
Graveyard - Thomas leaves gifts for Abigail on her grave. Charlotte is too young.
Square, Horton Plaque - Julie leaves flowers and talks to Gran about rebuilding the house and opening the time capsule. She knows Addie is with them. Paulina comes upon them and wishes her a happy Mother's Day. Paulina feels like a bad mother. Everyone admires Paulina.
DiMansion Living Room - Johnny has a call with his mother. She's eating in a cave restaurant with Sydney (in Amalfi, Italy) because Johnny sent Sydney the money. He does not deliver any news to her. Chanel enters, she has cancelled her lunch with her mom. She can't take Paulina right now because she's still mad at her. Johnny doesn't need an explanation because he enjoys being on another continent from his mother. Chanel is glad she doesn't know about the pregnancy. She will call Paulina.
Square - Julie and Paulina are talking about Jules. Chanel calls to cancel. She's staying in bed. Julie offers comfort.
Petersen-Brady Apartment - Sloan comes in with Jude. Eric has made a Mother's Day meal for her. He's wearing shorts and an apron. Later, they're eating breakfast. Sloan asks about his job, which he likes except for Leo. He agrees to let it go for Sloan for Mother's Day, then gives her a necklace with Jude's birthstone.
Bistro - Tate and Jeannie T are seated when Holly, EJ, and Nicole enter. Both moms think their kid picked this place on purpose. (They are seated at separate tables.) Tate denies, so does Holly. EJ made the reservations. There aren't many restaurants in Salem (stated by Jeannie T.). At the Donovan-Black table, they discuss jobs. At the Walker-DiMera-Jonas table, they pick their food and toast to mothers.
DiMansion Living Room - Chanel weeps about how their lives might change with this potentially irradiated child and it might wreck their nascent marriage. Johnny vows nothing will change for them.
Bistro, Black-Donovan Table - Jeannie T was dating an old guy during prom, her parents yelled at her, she didn't go to the prom. She wants to go tux shopping but Tate doesn't know what color Sophia's dress is. She asks questions about Sophia which the writers refuse to answer. Jeannie is glad, but Tate is salty he couldn't go with Holly. Later, they talk about Alex.
Bistro, Walker-Jonas-DiMera Table - The family talks about Nicole's exciting and groundbreaking work at the Spectator as well as EJ's fantastic jobs. Nicole wants a fun weekend away when they get a chance, Holly wants to wait until after prom. Nicole says no prom, no way. She knows Holly wants to go with Tate, but Holly is going with Aaron Greene. They start to quarrel, EJ tries to calm them down, so they can leave and continue the fight at home. Holly tells Nicole off, stomps out while screeching with Nicole in pursuit. At the other table, Jeannie T calls Holly a drama queen.
Pub - Thomas and Chad are playing tic-tac-toe. Julie arrives for their scheduled brunch. (Charlotte is at a princess brunch, no word on with whom.) They talk about their talks with the dead, the reconstruction, and how much they miss "their" home. Thomas gives "Aunt" Julie a decoration he and Charlotte made for "her" new house. She's proud to be his "auntie". Charlotte goes back to hang out with "Uncle" Roman. News flash: Chad misses Abigail. Julie misses David, is lucky for her "grandchildren" (wow we almost remembered Scotty exists).
DiMansion Living Room - Johnny is comforting Chanel when Paulina bursts in (she went past Harold). She is here to comfort her daughter at top volume. Johnny thanks her, tries to shoo her out. Chanel needs her, Paulina blasts. Chanel says no way, recaps the snow terror, and how Paulina is trying to turn this into her own tragedy. She and Johnny need space, Chanel hopes Paulina can respect that. She leaves, Chanel is sad. Chanel worries that Paulina was hurt, Johnny tries to comfort her. More consternation about the pregnancy.
Square - Eric and Sloan are smooching by a stroller after a nice morning when Nicole and Holly blow by like a hurricane. Holly calls her the worst mom on the planet. Eric steps in to play mediator as Holly uses sailor talk. He reminds Holly she almost died. Holly refers to her near-death experience as "one mistake" rather than recognizing the series of events that led to it.
Private Area - Paulina deafens the heavens as she hopes things are going to be all right for her baby.
Square - Eric tries to bring up his terror sister, Sami, as a teen; Holly refers to it as the "Stone Age" because she's a reasonable and relatable youth. Meanwhile Sloan and Nicole discuss Holly's turmoil and the death of Nicole's baby. EJ has entered the Square, gets confirmation (boo) that Jude was hatched by Eric and Nicole during their drug-induced stupor. He expresses sorrow verbally as he glares toward Nicole. END